Following reported autofocus tracking problems that plagued the Mark III, it’s no wonder – Canon needs to win back the confidence of photographers who spent time sending their Mark III’s in for a fix.
Canon EOS-1D Mark IV features a version of the ID series’ APS-H sized sensor, offering the same 1.3x crop factor that will appeal to wildlife and sports photographers. The pixel count gets an increase to 16.1 megapixels, a 60% rise on the previous body. Built for speed, it can capture ten frames per second (fps), with a burst rate of 121 large JPEGS or28 RAWfiles.
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Your camera says a lot about you - and according to Canon's new PowerShot SD940 IS, you're into hot design and cool technology. Emerging from your jeans pocket or purse like a sleek little jewel, the PowerShot SD940 IS makes a statement before you even take a picture. And the new menu ensures easy access to al[Read More]
It may be the slimmest Digital ELPH Canon has ever created, but the impact couldn't be bigger. The PowerShot SD780 IS Digital ELPH captivates the senses with bold saturated colors and a daringly original design that matches the intensity of Canon's most innovative camera technology. Even when picture-taking conditions seem pretty unforgiving, you'v[Read More]
Despite a number of the big boys pledging to give up the megapixel marathon in favour of focusing on image quality issues such as noise, lens resolution, chromatic aberration, and dynamic range, here we have what seems like another escalation in the resolution war. Canon has crammed a 7-megapixel sensor into its ultra-compact, Canon Powershot S70, which boasts sensor dimensions of just 1/1.8-inch. Common sense tells you that the laws of physics might just suggest that something’s got to give, especially when you consider that sticking 8 megapixels into the altogether bigger 2/3-inch sensor did little to improve resolution in real terms, and only brought extra problems with noise.
Despite the ’60′ in the name, the Canon PowerShot S60 is in fact a 5-megapixel digital camera, just like its predecessor, the S50. There have been a number of improvements, though, to increase its photographic appeal.
Most important among these is a brand new lens. The old S50 had a 3x zoom covering a focal range eguivalent to 35-105mm. When camera makers extend a lens’s zooming range, they usually add the extra range to the telephoto end -it’s the easiest thing to do, optically – despite the fact that what most photographers actually need is extended wide-angle capability.
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Following reported autofocus tracking problems that plagued the Mark III, it’s no wonder – Canon needs to win back the confidence of photographers who spent time sending their Mark III’s in for a fix.
